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- W2024571246 abstract "The nationalistic approach dominates the study of Chinese film history due to the concern with ideology and the bias towards the ‘national cinema’ paradigm. This article examines a group of intermediaries between Hollywood and China in the early twentieth century, who were either ignored or treated with open disdain by the late nationalist historians. I focus on two specific types of intermediaries – American film practitioners and Chinese merchants distributing Hollywood films in China – and trace their contributions to the Chinese film industry in the early twentieth century. Drawing on primary materials including English newspapers, trade journals and passport application records, I ascertain the identification of foreign figures in the Asiatic Film Company and stress the contribution of William Henry Lynch (ca.1883–1947), the cinematographer of the company. This article suggests multi-identities of the intermediaries and argues that the intermediaries bridged the relationship between Hollywood and the Chinese film industry and benefited the evolution of the Chinese film industry in various ways." @default.
- W2024571246 created "2016-06-24" @default.
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- W2024571246 date "2014-09-10" @default.
- W2024571246 modified "2023-09-26" @default.
- W2024571246 title "Movie matchmakers: the intermediaries between Hollywood and China in the early twentieth century" @default.
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- W2024571246 doi "https://doi.org/10.1080/17508061.2014.952147" @default.
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