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• W2025611921 abstract "Abstract Three New York films of the Great Depression and its aftermath, 42nd Street (1932, Lloyd Bacon), Dead End (1937, William Wyler), and The City (1939, Ralph Steiner and Willard Van Dyke), embodied a new political aesthetics in screening urban democratic spaces during moments of social breakdown. This article draws from urban and cinema studies, as well as from social and cultural theory (Lefebvre, Benjamin, Kracauer), to show how these films contributed to a discourse of urban planning and cinematic democratic aesthetics on the possibility of an egalitarian, inclusive, participatory community in diverse city spaces. The article argues that the reshaping of this cultural discourse, through the films’ emphasis on the conflicting material domains of the skyline and the slum, came at the cost of undermining the metropolis and, in The City, of limiting the urban spaces of democracy." @default.
• W2025611921 created "2016-06-24" @default.
• W2025611921 creator A5032899515 @default.
• W2025611921 date "2010-04-01" @default.
• W2025611921 modified "2023-09-26" @default.
• W2025611921 title "Urban Planning and the Spaces of Democracy: New York of the Great Depression in42nd Street, Dead End, andThe City" @default.
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• W2025611921 doi "https://doi.org/10.1080/14735781003795158" @default.
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