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• W2025643492 abstract "Abstract Articles included in this volume focus on the social role of “things” to examine the relationships between material and media artefacts, the construction of social identities, and the production and use of culture. As a collection, the articles reiterate a shift in contemporary object-based research which sees the study of things as an expanded discourse in which the thing itself is neither tethered to its material properties or a sole narrative. Faced with the challenge of contemplating the object as a virtual moving target, contributors have produced a collection of articles that extend “the object” beyond any singular or delimited site of investigation. In many cases the “artefact” explored is both media and material, and where this is the case, contributors argue that expressions of cultural production can be effectively analysed in relation to other empirical cultural dynamics as well as social and historical structures. Each contributor employs a case-study approach that raises “questions of precedent and futurity, of canons of contextualization” in order to challenge disciplinary norms and boundaries. The resulting volume seeks, in the final instance, to make a contribution to the ongoing processes of formation and reflection that characterise interdisciplinary culture studies. Keywords: objectmaterialityAustralian studiesthingsculture studies Notes 1. Lauren Berlant, “On the Case,” Critical Inquiry 33, Summer (2007): 666. 2. Neil MacGregor, A History of the World in 100 Objects. Programme 1, broadcast 18 January 2010, BBC Radio 4. 3. John Adamson, “A History of the World in 100 Objects by Neil MacGregor: review,” UK Telegraph, October 24, 2010, accessed June 25, 2011, http://www.telegraph.co.uk/culture/books/8076036/A-History-of-the-World-in-100-Objects-by-Neil-MacGregor-review.html. 4. Chris Gosden and Yvonne Marshall explain that an object biography examines an artefact's life history to “address the way social interactions involving people and objects create meaning” and to understand how these meanings “change and are renegotiated through the life of an object,” Chris Gosden and Yvonne Marshall, “The Cultural Biography of Objects,” World Archaeology 31, no. 2 (1999): 169–78. See also Igor Kopytoff, “The Cultural Biography of Things: Commoditization as Process,” The Social Life of Things: Commodities in Cultural Perspective, ed. Arjun Appadurai (Cambridge: Cambridge University Press, 1986), 64–91. 5. MacGregor, A History of the World, Programme 1. 6. Maev Kennedy, “Radio 4's A History of the World in 100 Objects draws to a close,” UK Guardian, October 14, 2010, accessed June 25, 2011, http://www.guardian.co.uk/media/2010/oct/14/radio-4-history-world-objects; Jessica Elgot, “He put colour in her cheeks: Did her smile save his life?,” The Jewish Chronicle, May 19, 2011, accessed June 25, 2011, http://www.thejc.com/news/uk-news/49167/he-put-colour-her-cheeks-did-her-smile-save-his-life. 7. Lewis Carroll, Sylvie and Bruno Concluded (London: Macmillan and Co., 1893), 169. 8. Howard Morphy, “Afterword,” in Museum Materialities: Objects, Engagements, Interpretations, ed. Sandra Dudley (London: Routledge, 2010), 285. 9. Adamson, “A History of the World.” 10. Kennedy, “Radio 4's A History of the World.” 11. Kennedy, “Radio 4's A History of the World.” 12. MacGregor, A History of the World, Programme 1. 13. Kirsten Wehner, Exhibition overview (Canberra: National Museum of Australia, 2011), accessed June 25, 2011, http://www.nma.gov.au/exhibitions/landmarks/about_landmarks/ 14. Ruth Phillips, “Re-placing Objects: Historical Practices for the Second Museum Age,” Canadian Historical Review 86, no. 1 (2005): 108. 15. A phrase used to describe the object-centred approach employed by National Museum of Australia curators to develop the Australian Journeys exhibition, which opened in 2010. Kirsten Wehner and Martha Sear, “Engaging the Material World: Object Knowledge and Australian Journeys,” in Museum Materialities, 145. 16. Wehner, Exhibition overview. 17. Deane's statement was made in August 1996 as part of his Inaugural Vincent Lingiari Memorial Lecture. It has subsequently been quoted widely, including in the Council for Aboriginal Reconciliation, Final report of the Council for Aboriginal Reconciliation to the Prime Minister and the Commonwealth Parliament (Canberra: The Commonwealth of Australia, Dec. 2000). Accessed June 20, 2011, http://www.austlii.edu.au/au/orgs/car/finalreport/text01.htm 18. Richard White, “Using the Past: History and Native American Studies,” Studying Native America: Problems and Prospects, ed. Russell Thornton (Madison: University of Wisconsin Press, 1998), 224. 19. White, “Using the Past,” 224. 20. Phillips, “Re-placing Objects,” 83. 21. Phillips, “Re-placing Objects,” 84. 22. Kylie Message, New Museums and the Making of Culture (London: Berg, 2006). 23. Wehner and Martha Sear, “Engaging the Material World,” 144. Also see Dawn Casey, “The National Museum of Australia: Exploring the Past, Illuminating the Present and Imagining the Future,” National Museums: Negotiating Histories, Canberra: National Museum of Australia, eds. Darryl McIntyre and Kirsten Wehner (Canberra: National Museum of Australia Press, 2001), 6. 24. The approach to exhibition making was influenced by turns in anthropology and art history in the second half of the twentieth century away from material culture study and connoisseurship respectively. Phillips, “Re-placing Objects,” 95. Morphy attributes as “one major factor in the neglect of material culture,” the “essentially utilitarian attitude of Western capitalism to the production and consumption of material objects.” Morphy, “Afterword,” 276. 25. Anne-Marie Condé, “A ‘vigorous cultural movement’: The Pigott Inquiry and Country Museums in Australia, 1975,” recollections 6, no. 2 (2011), accessed June 20, 2011, http://recollections.nma.gov.au/issues/vol_6_no_2/papers/vigorous_cultural_movement/. See also Graeme Davison, “The Use and Abuse of Australian history,” Australian Historical Studies 23, no. 91 (1988): 55–76. 26. Susan Pearce, “Foreword,” Museum Materialities, xix. 27. Pearce, “Foreword,” xix. 28. Berlant, “On the Case,” 666. 29. Amiria Henare, Martin Holbraad and Sari Wastell, “Introduction: Thinking through Things,” in Thinking through Things: Theorising Artefacts Ethnographically, eds Amiria Henare, Martin Holbraad and Sari Wastell (London: Routledge, 2007), 1. 30. Chris Gosden, “What Do Objects Want?,” Journal of Archaeological Method and Theory 12, no. 3 (2005):193–211. 31. Henare, Holbraad and Wastell, “Introduction,” 2. 32. Lawrence Grossberg, “Does Cultural Studies Have Futures? Should It? (or What's the Matter with New York?) Cultural Studies, Contexts and Conjunctures,” Cultural Studies 20, no. 1 (2006): 7. 33. Pearce, “Foreword,” xvi." @default.
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• W2025643492 title "Media and materiality: extending the boundaries of object research" @default.
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