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• W2026254664 abstract "HUMAN RIGHTS, SOCIAL TRAUMA, AND CINEMAThe institutionalization of human rights discourse over course of twentieth century parallels development of psychoanalytically derived conceptions of social trauma. Coincidentally, emergence of discourses of both human rights and social also maps closely onto rise of cinematic medium, with its central role in development of cultural of historical events, one aspect of cinema memory (Kuhn 2004).1 The present essay presents an overview of intersection of these three concepts-cinema, social trauma, and human rights-by examining how critically acclaimed Israeli film Waltz with Bashir ( Vals im Bashir, 2008) recasts postwar as being framed by trauma. This film is an exemplary subject for observing turn to discursive formation of cultural and social in postwar Israeli texts. This turn has led to an increasingly narrow focus on 'perpetrator traumas,' a development that raises important questions about ethical energies of both human rights and social as categories.First it may be useful to dwell briefly here on common grounds that have come to link social and human rights. Social often emerges as a result of human rights violations, almost as a specter, where war crime is followed by social of survivors and others for whom event is constitutive of their identity. One may argue that it becomes ultimately necessary to consider degree to which categories of 'social trauma' and 'human rights crimes' reflect one another, interrelate, and eventually coalesce by way of shiftfrom an individual to a social conception of trauma. Among activists, theorists, and mental health practitioners alike, link between individual and human rights is of increasing interest. Elizabeth Kornfeld, writing on human rights crimes in Pinochet-era Chile, argues that the concept of has been basis for understanding subjective impact and consequences of human rights (1995, 128). Some theorists note a distinct resonance between psychological diagnosis and international law when arguing that trauma occurs because of human rights violations such as physical and/or psychological torture. International civil and human rights movements have cast survivorship as a global movement. . . . For example, protection from traumatic events and rehabilitation of survivors aligns with United Nations' International Covenant on Civil and Political Rights (1966) (Johnson et al. 2012, 104). This alignment between and human rights may, and often does, sustain an ethical positioning that gives priority to seeking justice for victims of atrocity and oppression. A more critical engagement with these categories, however, also illustrates problematic ways in which both have been employed by perpetrators and by powerful towards ends that are often less than ethical and that fall short of establishing justice for all victims.While there is no doubt that atrocities in war may often result in psychological damage to their individual victims, what has been less often considered is how phenomenon of social relates to discourse of human rights. The tension between problematic slip between individual and social is not fully recognized by those who find category of to be a useful framework through which to explore human rights violations. Increasingly scholarship posits that as a discursive field human rights operates as an ideological construct emerging from social imaginary, in a way that roughly mirrors social production of collective trauma. To this end, Joseph Slaughter has argued that human rights law what it (2007, 8). By drawing this comparison out, we may appreciate that social also constitutes its own object and regulates its own boundaries. …" @default.
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• W2026254664 date "2013-01-01" @default.
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• W2026254664 title "“<i>Sawwaru Waynkum</i>?” Human Rights and Social Trauma in <i>Waltz with Bashir</i>" @default.
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• W2026254664 doi "https://doi.org/10.1353/lit.2013.0037" @default.
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