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- W2027734264 abstract "British artist–settlers steeped in the conventions of picturesque vision often found it difficult to create and preserve in the Australian colonies, in contrast to India. Colonists had to grapple not only with the patent Anglocentrism of their imported landscape aesthetic in a foreign, sometimes inhospitable environment, but with the appalling rate of destruction that accompanied the manifestations of ‘progress’, such as land clearing, on the colonial frontier. This essay argues that one aspect of an incipient environmental consciousness can be seen in the protests against progress made in the name of the picturesque by emigrants, in particular, amateur artists. It examines the classed and gendered dimensions of the inherent contest between progress and capitalist expansion and the picturesque and conservationism, through two Tasmanian artists, Louisa Meredith and Mary Allport. The essay concludes that the limits of aesthetic environmentalism for these women settlers are found in their attitudes to the indigenous Tasmanians." @default.
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- W2027734264 date "2002-06-01" @default.
- W2027734264 modified "2023-09-24" @default.
- W2027734264 title "Progress versus the Picturesque: white women and the aesthetics of environmentalism in colonial Australia 1820-1860" @default.
- W2027734264 doi "https://doi.org/10.1111/1467-8365.00325" @default.
- W2027734264 hasPublicationYear "2002" @default.
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