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- W2029863809 abstract "T. S. ELIOT'S PROSODY IN The Family Reunion and his other verse dramas in modern setting has been compared with that of Yeats's Purgatory, to which Eliot recognizes a debt. Pursuit of the comparison may help to establish the nature of the line Mr. Eliot has sought to develop for his contemporary verse drama since Sweeney Agonistes, his first effort in the twenties. He has expressed a desire for a flexible, transparent verse form which could move from the prosaic to the poetic at moments of intense emotion, refining modern idiom and conversational speech rhythms into art. The rhythm of Yeats's Purgatory has, on the one hand, been called by Louis MacNeice an awkward attempt, in the absence of formal limits, to escape from traditional metrics and gain a tougher and starker kind of verse. On the other hand, Ronald Gaskell has demonstrated that the play combines effectively a versatile and precise diction, tight syntax, the illusion of conversation between characters who transcend the personal, and measured accentual verse of 4-stress lines which provides the formal limits of the metric. It will be seen that Eliot's verse in The Family Reunion is also describable as 4-stress." @default.
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- W2029863809 date "1964-12-01" @default.
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- W2029863809 title "<i>Purgatory </i>and <i>The Family Reunion: </i>In Pursuit Of Prosodic Description" @default.
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- W2029863809 doi "https://doi.org/10.3138/md.7.3.256" @default.
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