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- W2030963141 abstract "The vast amount of data and observations relevant to the perception of pitch has grown through many decades and at first did not seem to support ease of modeling; it rather elucidated that pitch modeling is much more complex than just measuring “the fundamental frequency” in either the frequency or time domain. While the concept of auditory spectrum analysis is enormously helpful and successful in many respects, it failed to provide a direct explanation of the pitch of many ordinary sounds such as speech and music. Various time-domain explanations, on the other hand, proved unsatisfactory as well. In the late 1960s the conclusion was drawn that modeling pitch perception requires careful inclusion, and combination, of signal-theoretical, psychophysical, and Gestalt-psychological methods. The present author's “virtual-pitch theory” was worked out on that line. As an additional significant outcome of the new approach, it turned out to be not quite just a pitch model, but reflects and illustrates significant general principles of auditory perception and, in particular, of music perception. Until present, that type of modeling has been successful and appears to be supported by more recent experimental findings. Thus critical reconsideration and analysis of its essentials, i.e., indispensable characteristics, structures, and parameters seems appropriate. Particular attention is paid to the characteristics of aural spectrum analysis, the dichotomy of spectral versus virtual pitch, and the question of learning processes. Some crucial phenomena are demonstrated using tape examples." @default.
- W2030963141 created "2016-06-24" @default.
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- W2030963141 date "1986-05-01" @default.
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- W2030963141 title "Criteria and constraints of modeling the perception of pitch" @default.
- W2030963141 doi "https://doi.org/10.1121/1.2023329" @default.
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