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• W2033464792 abstract "The important late fifth- or early sixth-century brick tomb at Xuezhuang in Dengxian (Henan) features a brick form at the rear wall, which remained mysterious until it has recently been shown to represent a Buddhist pagoda. This discovery sheds light on the purpose of the burial chamber, featuring the novel combination of vaulted ceiling, colonnade, and pagoda, as simulating an Indian-derived Buddhist temple ( caitya ). To reinforce this Buddhist context, the burial chamber simultaneously imitates the structure of a Buddhist votive stele ( zaoxiangbei 造像碑), in which various Buddhist images, including the Buddha and bodhisattvas, apsaras , worshippers, and guardians, are carefully organized. The Xuezhuang tomb thus merges Buddhist structures with the traditional Chinese funerary structure, representing an entirely new manner in which funerary art and Buddhist art interacted with one another in early medieval China. While in earlier times Buddhist elements were subject to the unilaterally dominant funerary context, in the fifth to sixth centuries, as the importance of a specifically Buddhist context increased, the tomb occupant, whose coffin lay right before the pagoda, became an integral part of a simulated Buddhist structure as a worshipper symbolically poised to worship the pagoda or attend the “dead” Buddha in the concealed Buddhist “temple” that was the tomb. La tombe importante, datant de la fin du ve siècle ou du début du vie, découverte à Xuezhang (Dengxian, Henan) comporte une forme en briques sur son mur postérieur dont on n’a montré que récemment qu’il s’agissait d’une pagode bouddhiste. Cette découverte éclaire l’objet de la chambre funéraire: la combinaison d’un plafond en voûte, d’une colonnade et d’une pagode évoque un temple bouddhiste de style indien ( caitya ). Renforçant encore ce contexte religieux, la chambre funéraire imite en même temps la structure d’une stèle votive bouddhiste ( zaoxiangbei 造像碑), dans laquelle les images du Bouddha, des bodhisattvas, des apsaras , des adorateurs et des gardiens sont soigneusement disposées. La tombe de Xuezhang combine de la sorte des structures bouddhistes et une structure funéraire chinoise traditionnelle; elle représente une manière entièrement nouvelle dans la Chine du début du Moyen Âge, dans laquelle interagissent l’art funéraire et l’art bouddhique. Alors qu’auparavant les éléments bouddhistes étaient subordonnés à un contexte exclusivement funéraire, aux ve-vie siècles le contexte spécifiquement bouddhique a gagné en importance; en conséquence, l’occupant de la tombe, dont le cercueil était placé directement devant la pagode, est devenu partie intégrante d’une structure bouddhique simulée en tant qu’adorateur placé symboliquement pour faire ses dévotions à la pagode, ou alors être au service du Bouddha “mort” dans le temple bouddhique caché qu’était devenue la tombe." @default.
• W2033464792 created "2016-06-24" @default.
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• W2033464792 date "2014-04-10" @default.
• W2033464792 modified "2023-09-23" @default.
• W2033464792 title "To Die with the Buddha: The Brick Pagoda and Its Role in the Xuezhuang Tomb in Early Medieval China" @default.
• W2033464792 doi "https://doi.org/10.1163/15685322-10045p03" @default.
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