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• W2034177845 abstract "Abstract With high rates of out-marriage and dwindling need for bilingual worship, Japanese-American churches face a critical question: “Why retain the Japanese part of our identity?” This article explores how one layperson (Naomi Takahashi Goto) draws from her experience as an artist, teacher, and mother to help her congregation answer this question. Through play and Japanese artifacts, she equips church members to construct a theology that reaffirms their identity as Japanese-American Christians. By engaging in artistic play, the congregation experiences true selves that can gracefully hold in tension Christian faith, Japanese ancestry, and American culture. Notes 1For this insight, I thank my brother Stan Goto, an educational theorist at Western Washington University. 2I have methodological reasons for referring to my mother as “Mom,” which I discuss later. 3On this point, Heimbock cites H. Luther (1992) Religion and Alltang. Bausteine zu einer Praktischen Theologie des Subjekts, Stuttgart. 4While Berryman's use of Winnicott is helpful, he relegates Godly Play to children's ministry through his examples. Even his chapter on adults at play involves adults facilitating Godly Play for children in the church, which limits the implications of his work for adult education. 5My definition of artistic play is influenced by preliminary fieldwork with the founders of InterPlay, Cynthia Winton-Henry and Phil Porter. 6According to Burch Brown, art exists in a somewhat indeterminate state, and its plenishment comes only as the beholder responds, not to what the artist has actually created, but to what the beholder constructs on the basis of the work as well as what she brings to it (1989, 55). 7Fumitaka Matsuoka makes this argument in his 1995 book, Out of Silence: Emerging Themes in Asian American Churches, United Church Press. 8I appreciate Mai-Anh Le Tran's insight. 9In J. K. Rowling's Harry Potter books, Harry owns an “invisibility cloak,” a garment that makes him disappear when he puts it on. 10I am indebted to Theodore Brelsford for encouraging me to consider the transformation of artifact to art to artifact. 11He cites J. J. Degenaar's 1993 article, “Art and culture in a changing South Africa.” Suid-Afrikaanse Tydskrif Vir Wysbegeerte 12(3). 12The author does not provide a reference for Iizuka's quote. 13In his presentation on “Pastoral Imagination, Humanism, Postmodern Consciousness,” Brelsford draws on Richard Kearney's chapters on Hebraic and Greek imagination in The Wake of Imagination." @default.
• W2034177845 created "2016-06-24" @default.
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• W2034177845 date "2008-08-12" @default.
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• W2034177845 title "Pretending to Be Japanese: Artistic Play in a Japanese-American Church and Family" @default.
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• W2034177845 doi "https://doi.org/10.1080/00344080802250701" @default.
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