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- W2034291041 abstract "In many respects, Thunderheart 1 (1992) is a refreshing departure from its predecessors in the Native American film genre. While seemingly enlightened, I will argue that the film still relies upon too many Hollywood crutches in depicting Native Americans, which is particularly evident in its utilization of three tropes: the construction of the other, the appropriation of native spirituality, and the formation of identity. I will also analyze several film reviews to demonstrate how the critical reception of Thunderheart reflects mainstream America's ambivalence toward Native Americans." @default.
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- W2034291041 date "2001-01-01" @default.
- W2034291041 modified "2023-10-17" @default.
- W2034291041 title "The Best of Both Worlds: Otherness, Appropriation, and Identity in Thunderheart" @default.
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- W2034291041 doi "https://doi.org/10.1353/wic.2001.0028" @default.
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