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- W2034344962 abstract "suddenly brimming with new dimensions, has become an ebullient Cyrano, shouting Bring me giants! The smaller canvases of a W. R. Burnett or a Dashiell Hammett no longer suffice. Increasingly, the film maker turns to novels whose created worlds encompass vast areas of space. Space is wanted, the grand design, as if the physical dimensions of the wide screen require the imaginative dimensions of the large book. To borrow Edwin Muir's terms, the chronicle begins to take precedence over both the dramatic novel and the novel of character. From France, we await Autant-Lara's Le Rouge et le noir and Christian Jacque's 1947 rendition of La Chartreuse de Parme. From Germany, just before his death, Thomas Mann announced that film makers were again toying with the idea of adapting The Magic Mountain. From America, we hear that Paul Gregory has bought the rights to Thomas Wolfe's novels, and we have seen the release of John Huston's Moby Dick. These are giants indeed. One should not be surprised, therefore, to find, in this annus mirabilis, that three film units-one in Italy, one in America, one" @default.
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- W2034344962 date "1956-01-01" @default.
- W2034344962 modified "2023-09-25" @default.
- W2034344962 title "Word to Image: The Problem of the Filmed Novel" @default.
- W2034344962 doi "https://doi.org/10.2307/1209838" @default.
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