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- W2034963495 abstract "In A Poet of One Mood, late-Victorian poet Alice Meynell describes herself as a poet of wild ways who commands the world's attention with poetry that emanates from One thought that is the treasure of my years. . . And in mine arms, clasped, like a child in tears. 1 This One thought is the most prevalent feature of Meynell's poetry: a speaker who is obsessed with her identity as poet, which she repeatedly depicts in dual terms. She portrays the poet as a conglomeration of reflexive binaries, such as the everyday consciousness and the poet self (whether represented as another poet, a poem, a book, or a bird), mother and child, female and male, or poet and God. Meynell complicates the dilemma of the woman artist, portrayed with such dramatic effectiveness in Elizabeth Barrett Browning's Aurora Leigh. During the Victorian period, women poets especially could not avoid the tangled web of contradictory gender ideologies that seemed to necessitate, with every act of poetic creation, their simultaneous reinforcement and undercutting of patriarchal constructs of femininity. 2 Alice Meynell succeeded in constructing a female poetic voice that generates and affirms itself, rather than being defined by the Not-Male. She depicts the world as a reflection of her poetic greatness rather than as a hindrance to it. Meynell make[s] the whole world answer to [her] art (Poems, p. 44) because the world embodies her poetic self. This is the essence of Meynell's poetry: she answers to herself." @default.
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- W2034963495 date "2003-01-01" @default.
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- W2034963495 title ""I make the whole world answer to my art": Alice Meynell's Poetic Identity" @default.
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- W2034963495 doi "https://doi.org/10.1353/vp.2003.0017" @default.
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