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- W2038694976 abstract "Various cities claim our attention as we try to understand music and musical life in 17th-century Italy: Monteverdi's Venice, Frescobaldi's and then Corelli's Rome, Alessandro Scarlatti's Naples. Bologna stakes its claim as one of the prime incubators of the developing sonata and concerto, printed there by Giacomo Monti and others, whose catalogues of instrumental music began to outpace those of the more established Venetian houses in the last third of the century. Gregory Barnett's monograph offers convincing evidence that the appellation Bologna grassa bespeaks not only a fine cuisine but an atmosphere in which instrumental music became an essential component of many public and private events in the city. We have long appreciated the importance of San Petronio to the development of music for trumpet and strings, as well as the city's claim on Corelli (although he was in Rome by 1675), but even the most prominent of the many composers who worked in Bologna or nearby Modena are not widely known. The most productive included Maurizio Cazzati, Giuseppe Colombi, Giovanni Battista Vitali, Giovanni Maria Bononcini, Marco Uccellini, Giuseppe Jacchini and Giuseppe Torelli. Previous scholars, myself included, with a focus on the region or on the genres in question (one might mention, for instance, Peter Allsop, Willi Apel, Stephen Bonta, William S. Newman, Anne Schnoebelen, John Suess and Marc Vanscheeuwijck) have laid a solid foundation on which Gregory Barnett has now built a structure whose windows afford us a clear view of the repertory and its roles in late 17th-century Italian musical life." @default.
- W2038694976 created "2016-06-24" @default.
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- W2038694976 date "2009-08-01" @default.
- W2038694976 modified "2023-09-25" @default.
- W2038694976 title "Bolognese sonatas and concertos" @default.
- W2038694976 doi "https://doi.org/10.1093/em/cap047" @default.
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