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- W2039821489 abstract "We present an existential account of the psychological function of artistic activity derived from terror management theory. From this perspective, artistic creation and response alleviate concerns with mortality by affording opportunities to bolster cultural belief systems that provide death-transcending meaning and significance. We review research showing that reminders of mortality exaggerate people's responses (positive and negative) to artworks that bear on their conceptions of death, cultural ideologies and symbols, and bases of meaning. We also review research on the interplay between the motives for terror management and creative self-expression. We compare a TMT analysis to alternative accounts of art's function derived from uncertainty management theory (e.g., van den Bos, 2009 van den Bos, K. 2009. On the psychology of the uncertain self and the integration of the worldview defence zoo. Psychological Inquiry, 20: 252–261. [Taylor & Francis Online], [Web of Science ®] , [Google Scholar]) and the meaning maintenance model (Heine, Proulx, & Vohs, 2006 Heine, S. J., Proulx, T. and Vohs, K. D. 2006. Meaning maintenance model: On the coherence of social motivations. Personality and Social Psychology Review, 10: 88–110. [Crossref], [PubMed], [Web of Science ®] , [Google Scholar]). We conclude by recommending that future research examine whether immersive aesthetic engagement is psychologically beneficial because it provides temporary relief from the awareness of death." @default.
- W2039821489 created "2016-06-24" @default.
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- W2039821489 date "2010-03-01" @default.
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- W2039821489 title "On graves and graven images: A terror management analysis of the psychological functions of art" @default.
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- W2039821489 doi "https://doi.org/10.1080/10463283.2010.513266" @default.
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