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- W2040206822 abstract "The counterhegemonic practices of radical art stimulate resistance to those who are already inclined to alternative ideologies and practices; however, its collaborative/collective nature and public reiteration can also affect and influence people who are not part of the movement to begin with. It becomes evident that the aim of political art is not to preach to the converted but to influence a wide spectrum of society. The article focuses on the recent resonant case study of the Embros Theatre occupation and examines the ways contemporary Greek art movements are responding to the “crisis,” so as to shed light on the multifaceted notion of “resistance” and so as to consider why contemporary Greek art, in particular, can provide a potential of cultural resistance to neoliberal strategies by affecting the wider public and by reclaiming the commons during this crucial political and economic momentum." @default.
- W2040206822 created "2016-06-24" @default.
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- W2040206822 date "2014-01-02" @default.
- W2040206822 modified "2023-09-26" @default.
- W2040206822 title "Contemporary Greek Art: Impoverishment of Means Versus Abundance of Intentions" @default.
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- W2040206822 doi "https://doi.org/10.1080/10875549.2013.866801" @default.
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