Matches in SemOpenAlex for { <https://semopenalex.org/work/W2040284983> ?p ?o ?g. }
Showing items 1 to 83 of
83
with 100 items per page.
- W2040284983 endingPage "92" @default.
- W2040284983 startingPage "77" @default.
- W2040284983 abstract "Writing about popular music in 1977 from what I would describe as a ‘classical’ Marxist perspective, Steve Chapple and I proclaimed unequivocally that: The position of the music as an increasingly important cultural commodity within a consumer economy weakened any of the explicit anti-materialist content of the music.… Musicians and the creative personnel within the industry were integrated into an entertainment business now firmly part of the American corporate structure. (Chapple and Garofalo 1977, p. 300) In 1981, four short years later, British sociologist and music critic Simon Frith described the structure and functioning of the music industry in much the same terms that Chappie and I had put forth, but his analysis shifted the emphasis considerably. Declared Frith: Cultural commodities may support the contemporary power of capital, but they have their civilising moments, and even as the most effortless background music, rock is a source of vigour and exhilaration and of good feelings that are as necessary for the next morning's political struggle as for the next day's work. My argument is that rock fun is as much a quality of the music's use as of its form. (Frith 1981, pp. 264–5) Attempting to avoid what he saw as an economically reductive position, Frith de-emphasised the role of monopoly corporations in controlling the marketplace and shaping popular culture. In the tradition of ‘cultural’ Marxism, he focused instead, and somewhat optimistically, on the power of the consumer to reappropriate the music in unintended ways, to ‘resignify’ its meaning, if you will." @default.
- W2040284983 created "2016-06-24" @default.
- W2040284983 creator A5013589011 @default.
- W2040284983 date "1987-01-01" @default.
- W2040284983 modified "2023-10-14" @default.
- W2040284983 title "How autonomous is relative: popular music, the social formation and cultural struggle" @default.
- W2040284983 cites W1994966324 @default.
- W2040284983 cites W2313008187 @default.
- W2040284983 cites W2487887792 @default.
- W2040284983 doi "https://doi.org/10.1017/s0261143000006620" @default.
- W2040284983 hasPublicationYear "1987" @default.
- W2040284983 type Work @default.
- W2040284983 sameAs 2040284983 @default.
- W2040284983 citedByCount "46" @default.
- W2040284983 countsByYear W20402849832012 @default.
- W2040284983 countsByYear W20402849832013 @default.
- W2040284983 countsByYear W20402849832014 @default.
- W2040284983 countsByYear W20402849832015 @default.
- W2040284983 countsByYear W20402849832016 @default.
- W2040284983 countsByYear W20402849832017 @default.
- W2040284983 countsByYear W20402849832018 @default.
- W2040284983 countsByYear W20402849832020 @default.
- W2040284983 countsByYear W20402849832021 @default.
- W2040284983 countsByYear W20402849832022 @default.
- W2040284983 crossrefType "journal-article" @default.
- W2040284983 hasAuthorship W2040284983A5013589011 @default.
- W2040284983 hasConcept C107038049 @default.
- W2040284983 hasConcept C114611597 @default.
- W2040284983 hasConcept C121332964 @default.
- W2040284983 hasConcept C124952713 @default.
- W2040284983 hasConcept C13553968 @default.
- W2040284983 hasConcept C138885662 @default.
- W2040284983 hasConcept C142362112 @default.
- W2040284983 hasConcept C144024400 @default.
- W2040284983 hasConcept C153349607 @default.
- W2040284983 hasConcept C163258240 @default.
- W2040284983 hasConcept C185592680 @default.
- W2040284983 hasConcept C186855751 @default.
- W2040284983 hasConcept C2776021637 @default.
- W2040284983 hasConcept C29595303 @default.
- W2040284983 hasConcept C41895202 @default.
- W2040284983 hasConcept C55493867 @default.
- W2040284983 hasConcept C62520636 @default.
- W2040284983 hasConcept C98184364 @default.
- W2040284983 hasConceptScore W2040284983C107038049 @default.
- W2040284983 hasConceptScore W2040284983C114611597 @default.
- W2040284983 hasConceptScore W2040284983C121332964 @default.
- W2040284983 hasConceptScore W2040284983C124952713 @default.
- W2040284983 hasConceptScore W2040284983C13553968 @default.
- W2040284983 hasConceptScore W2040284983C138885662 @default.
- W2040284983 hasConceptScore W2040284983C142362112 @default.
- W2040284983 hasConceptScore W2040284983C144024400 @default.
- W2040284983 hasConceptScore W2040284983C153349607 @default.
- W2040284983 hasConceptScore W2040284983C163258240 @default.
- W2040284983 hasConceptScore W2040284983C185592680 @default.
- W2040284983 hasConceptScore W2040284983C186855751 @default.
- W2040284983 hasConceptScore W2040284983C2776021637 @default.
- W2040284983 hasConceptScore W2040284983C29595303 @default.
- W2040284983 hasConceptScore W2040284983C41895202 @default.
- W2040284983 hasConceptScore W2040284983C55493867 @default.
- W2040284983 hasConceptScore W2040284983C62520636 @default.
- W2040284983 hasConceptScore W2040284983C98184364 @default.
- W2040284983 hasIssue "1" @default.
- W2040284983 hasLocation W20402849831 @default.
- W2040284983 hasOpenAccess W2040284983 @default.
- W2040284983 hasPrimaryLocation W20402849831 @default.
- W2040284983 hasRelatedWork W1541576561 @default.
- W2040284983 hasRelatedWork W1968625981 @default.
- W2040284983 hasRelatedWork W2040284983 @default.
- W2040284983 hasRelatedWork W2118850911 @default.
- W2040284983 hasRelatedWork W2139243020 @default.
- W2040284983 hasRelatedWork W2152695967 @default.
- W2040284983 hasRelatedWork W2923685743 @default.
- W2040284983 hasRelatedWork W3027680289 @default.
- W2040284983 hasRelatedWork W4230223729 @default.
- W2040284983 hasRelatedWork W3120511564 @default.
- W2040284983 hasVolume "6" @default.
- W2040284983 isParatext "false" @default.
- W2040284983 isRetracted "false" @default.
- W2040284983 magId "2040284983" @default.
- W2040284983 workType "article" @default.