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- W2040337682 abstract "This article is based on rehearsal and performance observations and interviews with the personnel involved in a graduating production of Chekhov's Three Sisters by trainee director Simone Fedennan at the Institute for Advanced Theatre Training (IATT) at Harvard in May 1994. The IATT is particularly interesting because it is a leading training institution housed within a well-known theatre company, the American Repertory Theatre (ART) in Cambridge, Massachusetts. In the article we investigate the production as a process of negotiation between different contemporary readings-in-production of several Chekhov texts. We argue that this process involves both contestations and convergences between the powerful and persuasive — and modernist — ideas, practices, and creative styles of the ART and Simone Fedennan's feminism and postmodemism." @default.
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- W2040337682 date "1999-12-01" @default.
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- W2040337682 title "Chekhov in Massachusetts: Competing Modernisms at the American Repertory Theatre" @default.
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- W2040337682 doi "https://doi.org/10.3138/md.42.4.615" @default.
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