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• W2041411696 abstract "This article addresses eighteenth-century maritime visual culture and its historiography by questioning fundamental fractures within it and the implications of these for the disciplines of history and art history. Using the Abolitionist print of the Brooks slave ship as a starting point alongside Paul Gilroy’s formulation of “double consciousness,” it questions the bypassing of the Black Atlantic and the wider maritime sphere within the history of eighteenth-century British art and argues for a revision of the periodization, classification, disciplinary boundaries, and ideological parameters by which it has been defined, to take full account of the significance of the maritime sphere." @default.
• W2041411696 created "2016-06-24" @default.
• W2041411696 creator A5017588638 @default.
• W2041411696 date "2014-01-01" @default.
• W2041411696 modified "2023-10-17" @default.
• W2041411696 title "Art History and Double Consciousness: Visual Culture and Eighteenth-Century Maritime Britain" @default.
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• W2041411696 doi "https://doi.org/10.1353/ecs.2014.0041" @default.
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