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- W2041520996 abstract "ABSTRACTMary Jordan's film, Jack Smith and the Destruction of Atlantis (2007) presents a documentary portrait of New York film-maker and performer Jack Smith, an artist whose work has been as influential as it has been neglected. For a brief period in the 1960s Smith ran ‘Cinemaroc Movie Studios’, an underground film scene that paralleled and influenced Andy Warhol's film Factory. Jordan assembles Smith's friends and associates, contemporary artists and critics, along with excerpts from Smith's films, performance pieces and audio tapes, to provide an account of the artist's ‘life-work’, including his best-known film, Flaming Creatures (1963). This article takes up James Clifford's notion of ethnographic surrealism to examine Smith's life-work as an open exercise in self-portraiture, an intensively personal vision, but one that strives for the guarantee of objectivity, a type of ‘documentary truth’." @default.
- W2041520996 created "2016-06-24" @default.
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- W2041520996 date "2010-12-01" @default.
- W2041520996 modified "2023-09-26" @default.
- W2041520996 title "‘Moldy Art’: The exotic world of Jack Smith" @default.
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- W2041520996 doi "https://doi.org/10.1386/sdf.4.2.173_1" @default.
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