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- W2044533224 abstract "The term ‘focalization’ designates the delivery of narrative information to film spectators by narrators and characters. It connects crucially with notions about the beliefs and worldviews of these agents, and thus has implications for what kind of a fictional truth and notions about the diegetic as well as the real world the narrative work as a whole implies. Of particular interest here is hypothetical focalization as the articulation of merely possible modes of perception, narrative indecision, and uncertainty about the world as a whole. In filmic narration, these issues are articulated slightly differently than in literary fiction, as the filmic image and sound may be used to imply an embodied presence in the diegetic world with all its ambiguities and uncertainties. Michael Haneke's Caché (2005) exemplifies in a particularly intriguing way how hypothetical focalization can be used to explore suppressed events and moral concerns." @default.
- W2044533224 created "2016-06-24" @default.
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- W2044533224 date "2013-09-01" @default.
- W2044533224 modified "2023-10-16" @default.
- W2044533224 title "Making sense of hypothetical focalization in the cinema" @default.
- W2044533224 cites W2486403627 @default.
- W2044533224 doi "https://doi.org/10.1080/17400309.2013.775095" @default.
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