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- W2045493163 abstract "A decade into the twenty-first century, the study of nineteenth-century women writers is flourishing, as indicated not only in the publication of the three books under review here but also in efforts to reconceptualize the role of women writers in American literary history more generally in Elaine Showalter's A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx (2009) and the collection of essays in A New Literary History of America (2009), the Harvard volume coedited by Greil Marcus and Werner Sollors.1 The increased accessibility of digital archives of periodicals and what Amy Dunham Strand calls “cultural texts” have provided new ways of understanding previously recovered writers while also enabling the recovery of new ones (2). At the same time, as the three works I discuss below demonstrate, this new archive has given fresh ways of considering questions that have been at the heart of the field for the past 30 years. Broadly speaking, these questions pivot on a number of key binaries that have proven to be of enduring interest: private and public; domestic and global; privileged and underprivileged; exceptional and common; vocal and silent; subversive and compliant. Taken together, the three books considered here reify certain of these binaries while destabilizing others, showing the difficulty of developing frameworks that, as Felicity Nussbaum has put it, “avoid the generalizations that contribute to oppression based on gender” (qtd. in Laffrado 15)." @default.
- W2045493163 created "2016-06-24" @default.
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- W2045493163 date "2010-12-16" @default.
- W2045493163 modified "2023-09-23" @default.
- W2045493163 title "Critical Turns in the Study of Nineteenth-Century Women Writers" @default.
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- W2045493163 doi "https://doi.org/10.1093/alh/ajq077" @default.
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