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- W2046227896 abstract "In this article, I describe and analyze the ways in which the Other is represented in three of Jean Rouch's earlier films. After briefly outlining Rouch's relationship to the cinema of Robert Flaherty, I look closely at Les magiciens de Wanzerbé [1948], Les maîtres fous [], and Jaguar [], and argue that these films exhibit a progression from a conventional, colonialist mode of documentary practice to a more open, polyvocal, collaborative form. I conclude by suggesting that this transition constitutes a shift from the attempt to represent that which can never be adequately represented to the evocation of it." @default.
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- W2046227896 date "2006-07-01" @default.
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- W2046227896 title "From Representation to Evocation: Tracing a Progression in Jean Rouch's<i>Les magiciens de Wanzerbé, Les maîtres fous</i>, and<i>Jaguar</i>" @default.
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- W2046227896 doi "https://doi.org/10.1080/08949460600596558" @default.
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