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- W2047420912 abstract "c 'ommenting on D.H. Lawrence's clear preference for Edward B. Tylor's Primitive Culture over James Frazer's Golden Bough (Letters, II, pp. 593, 690) John B. Vickery says, The length of Frazer's work, its almost endless multiplication of examples, its reticence about providing a theoretic framework of analytic categories, and its looser organization probably all contributed to Lawrence's attitude, which more often than we are accustomed to recognizing aligned itself with one form or another of orthodoxy.2 Herbert Asquith, however, who knew Lawrence, argues to the contrary Lawrence felt that free flame could not be artificially confined in an ancient form, but must weave its own patterns, moving without restraint at its own will and his acutely individual genius was not the child of any 'movement.'3 I think Asquith's evaluation is the more valid: Lawrence's pattern was not to accept any one else's models, paradigms, or orthodoxies, traditional or revolutionary, but rather to take from any where and every where factual details from the real world, bits and pieces of theories, superstitions, aspects of the personalities of people whom he knew, to support own theories, some of which he held constant over a lifetime, others of which he developed to meet personal needs as those needs changed, sometimes from month to month. And he used those jerry-built theories in novels and in personal life. As Lawrence himself wrote in The Novel:" @default.
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- W2047420912 date "2001-09-01" @default.
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- W2047420912 title "D.H. Lawrence: Mythographer" @default.
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- W2047420912 doi "https://doi.org/10.2979/jml.2001.25.1.91" @default.
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