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- W2047521694 abstract "Abstract James Cameron's Titanic (1997) made cinematic headlines with its mammoth production budget and its equally staggering worldwide theatrical profits. Audiences, however, generally revisited the film time and time again because of its unabashedly sentimental narrative, rather than for its remarkable special effects. In sharp contrast with such action films as The Terminator (1984) and True Lies (1994), Cameron employs an overtly sentimental style in Titanic. As Martha C. Nussbaum observes in Love's Knowledge: Essays on Philosophy and Literature, an artist's sense of style—whether visual, literary, or otherwise—often functions as a means for rendering ethical judgments. “Form and style are not incidental features”, she writes. “A view of life is told. The telling itself—the selection of genre, formal structures, sentences, vocabulary, of the whole manner of addressing the reader's sense of life—all of this expresses a sense of life and of value, a sense of what matters and what does not, of what learning and communicating are, of life's relations and connections. Life is never simply presented by a text”, she adds; “it is always represented as something” (5). Additional informationNotes on contributorsKenneth Womack TODD F. DAVIS is an associate professor of English as Goshen College in Goshen, Indiana, where he teaches creative writing, film, and American literature. He has published in such journals as Critique, Studies in Short Fiction, Mississippi Quarterly, Literature/Film Quarterly, and Yeats Eliot Review. His poems have appeared in numerous literary reviews, including The Red Cedar Review, The Worcester Review, Yankee, Appalachia, Blueline, The Journal of Kentucky Studies, Image, and Aethlon. KENNETH WOMACK is an assistant professor of English at the Pennsylvania State University-Altoona. In addition to co-authoring Recent Work in Critical Theory, 1989–1995: An Annotated Bibliography and co-editing the Dictionary of Literary Biography's three-volume British Book-Collectors and Bibliographers series, he has published numerous articles on twentieth-century British and American film and literature, as well as bibliography and textual criticism. He also works as a correspondent for the World Shakespeare Bibliography and serves as an associate editor of George Eliot-George Henry Lewes Studies. He is editor of Interdisciplinary Literary Studies: A Journal of Criticism and Theory." @default.
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- W2047521694 title "Perspectives: Narrating the Ship of Dreams: The Ethics of Sentimentality in James Cameron's Titanic" @default.
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