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- W2048135074 abstract "After a time of silence, Jewish identity often appeared to be reclaimed, or redefined, through connecting to Yiddish (folk-) song. Since Yiddish songs have become a kind of musical historic archive, Jews find in this repertoire different expressions of Jewish identity. They are able to embark on a joyful learning process as opposed to the sadness or silence they have been confronted with before. Meanwhile, the interest of non-Jews for this subject teaches them about a multi-faceted Jewish life, as opposed to only learning about the Shoah or the dramatic political struggles of Israel. This kind of cultural exploration becomes a strong tool for intercultural dialogue and peace. Both Jews and non-Jews participate in an inclusive learning-experience about a European Jewish heritage, which appears to be a discovery for both, on different levels. Depending on the choice of repertoire and a specific pedagogical approach, this particular way of learning appears to contribute to consciousness and universal thinking. The usual chauvinism that might result from reclaiming one's ethnic, cultural or religious identity does not seem to occur in this case. This article details Europe's quest for Yiddish culture after the Second World War and its consequences for Jewish and non-Jewish life today, seen through the eyes of a singer and pedagogue of Yiddish songs." @default.
- W2048135074 created "2016-06-24" @default.
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- W2048135074 date "2009-01-01" @default.
- W2048135074 modified "2023-09-26" @default.
- W2048135074 title "Why a Specific Cultural Identity Does Not Exclude Universality in Teaching Yiddish Folksong" @default.
- W2048135074 doi "https://doi.org/10.3167/ej.2009.420214" @default.
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