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- W2048230981 abstract "In the latter part of his career, Samuel Beckett was increasingly attracted to television as a medium where he could realize certain dramatic ideas with a control and precision not possible in the theatre...In them he has ... Taken as a whole, Beckett's television drama does reveal an increasing concentration on the communicative force of the visual images. Yet in the teleplay, ... but the clouds. . ., the pure coalescence of material and form is achieved through a delicate and precise interaction between word and image. By alluding to W. B. Yeats's poem The Tower in both the verbal and visual levels of the play, Beckett shapes a fleeting moment of unified consciousness, making this play unique in Beckett's drama." @default.
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- W2048230981 date "1992-12-01" @default.
- W2048230981 modified "2023-09-25" @default.
- W2048230981 title "<i>A catch in the breath: </i>Language and Consciousness in Samuel Beckett's <i>... but the clouds ...</i>" @default.
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- W2048230981 doi "https://doi.org/10.3138/md.35.3.607" @default.
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