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- W2048443008 abstract "This article's analysis of the horse- imagery in Georg Buchner's play Woyzeck pursues the question whether the title character is predominantly a subject of social determination or autonomous agency. First, Woyzeck's supervisor associates him with a horse. This association is a process of naming, a performative speech act that constructs Woyzeck as a and justifi es his exploitation. While the standard interpretations stop here, this article argues that Woyzeck subsequently takes up this role of the himself so that it becomes a part of his own agency. This newly constructed agency allows him to develop a sense of responsibility for his son (whom he carries like a horse) and to escape the authority of his supervisors (arguing that he is driven by nature as a is). These later actions presuppose the naming by his supervisors as a horse, but transcend their original intention. Woyzeck takes up the semantic alternatives in the word horse to subvert the original call of the authorities. In this sense, and within the framework of Judith Butler's study Excitable Speech , the agency of the subject is both dependent on the call from outside and yet beyond it in the irreducible polyvalence of language." @default.
- W2048443008 created "2016-06-24" @default.
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- W2048443008 date "2012-12-01" @default.
- W2048443008 modified "2023-09-28" @default.
- W2048443008 title "Buchner und Butler: Das Pferde-Narrativ in den Woyzeck-Entwurfen und die Handlungsfahigkeit des postsouveranen Subjekts" @default.
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- W2048443008 doi "https://doi.org/10.1353/mon.2012.0109" @default.
- W2048443008 hasPublicationYear "2012" @default.
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