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- W2048499723 abstract "Jonathan Swift's satires accomplish the remarkable feat of making defecation seem simultaneously deviant and normative. Defecation is exemplary because it horrifies the characters who encounter it in Swift's texts: Strephon, in The Lady's Dressing Room, plunges his hand into his beloved's chamber pot, only to be trapped into thinking that women's beauty covers excrement. But these same texts suggest that defecation is normal insofar as the reader is encouraged to take the knowing attitude that these characters are naive, if not downright delusional, for being horrified. Cassinus, of Cassinus and Peter, looks the fool for his breakdown on discovering that his Celia shits. To many readers of Swift—and many readers of his brand of eighteenth-century satire—this is merely ironic (Leavis, 79-108).Within this understanding, Swift aims to expose the dirty truth behind any shiny exterior, revealing the dark truth beneath civilization. Swift as satirist thus becomes one afflicted with an excremental vision of humanity or, alternately, an excremental reality, condemned [End Page 40] to write only scatological or excremental satires throughout his career (Fabricant, 30; Greene, 673; Gilmore, 33; Siebert, 21)." @default.
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- W2048499723 date "2002-01-01" @default.
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- W2048499723 title "Privacy and Speculation in Early Eighteenth-Century Britain" @default.
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- W2048499723 doi "https://doi.org/10.1353/cul.2003.0004" @default.
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