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- W2049286099 abstract "This essay poses a riddle: what can be plagiarized, but not copyrighted? It answers by connecting the technical management of meter with the property of voice which, in turn, responds to the problem of defining poetic identity in copyright law. The essay proceeds, first, to discuss how Coleridge links meter with the idealized identity he calls untranslatableness. Next it contextualizes this understanding of identity in eighteenth- and nineteenth-century copyright debates, arguing that one strain of anglophone law grounds identity in nonsemantic aspects of form, such as meter. Taking Coleridge's Christabel as a case study, the essay's third section discusses how Walter Scott's plagiarism of Christabel's meter in The Lay of the Last Minstrel ultimately affirms the identity of Coleridge's poem. The essay concludes with speculations on how literary materiality relates to transmission." @default.
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- W2049286099 date "2003-01-01" @default.
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- W2049286099 title "Meter, Identity, Voice: Untranslating Christabel" @default.
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- W2049286099 doi "https://doi.org/10.1353/sel.2003.0046" @default.
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