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- W2049541842 abstract "ly systemizing meteorological multiculturalness (the PC-ideological fantasy of a Disneyfied subjecti.e., global unity), but as limitas potential limit experienceof its fantasized globality. Working through virtual territories, a de-collage approach to web construction and analysis, as well as to surfing activity itself, is another way to break smooth digitalization virtual assimilation-of self. Postmodern computer culture, in Virilio's theoretical imagination, thrives on mirage of information . . . what is given is exactly information but not sensation; it is apatheia, this scientific impassibility which makes it so that more informed man is more desert of world expands around him (1991, 46). The criticallyconscious global subject, acting as web de-collagist (self)disrupts smooth, uniform, rapid reduction/ substanceless seduction that Net makes possible. A de-collage Web experience a sudden sense of falling through Net, or breaking monotonous click and go rhythm of Web browsing over unexpected aporias in electronic pavementcan reinsert a sense shock (as in a crossing of wired territories) of R in WWW global voyager's electro-narco cushioned tripping, retrieve critical awareness of phantasmic texture of her/his virtual globe trotting. De-propping (de-propertying) digitally globalized subject to expose it as a series of screenal displays of information (Virilio: the important thing in electronic communication is no longer storage but display) (1991, 46), Web de-collage overrides virtual subject's 9Hughes' life can also be read as (pre)figural of objective/' systematic/' anonymous violence (violation) of global capital (Zifcek 2001, par. 8), carried out in guise of WTO' s under banner of economic development (read global exploitation, systemic impoverization, and creation of a disposable labor force). This content downloaded from 157.55.39.212 on Thu, 09 Jun 2016 05:17:16 UTC All use subject to http://about.jstor.org/terms" @default.
- W2049541842 created "2016-06-24" @default.
- W2049541842 creator A5059558833 @default.
- W2049541842 date "2001-01-01" @default.
- W2049541842 modified "2023-09-24" @default.
- W2049541842 title "The Global Subject in an Electronic Age: Re(X)locating the Critical Self" @default.
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- W2049541842 doi "https://doi.org/10.1353/sym.2001.0011" @default.
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