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- W2051219182 abstract "Many improvisational models of music therapy involve therapist and client improvising spontaneously together. This is widely described as a form of musical relationship. However whilst there is much discussion of the client's musical input in the literature, the therapist's music attracts less attention. The author considers reasons why this may be the case and seeks evidence, from the music therapy literature and beyond, as to whether the therapist's musical input is of significance for the therapeutic process. An example of detailed analysis of the author's own clinical work is presented, in order to establish whether the therapist's musical input has an observable impact on the shared musical experience and might thus be judged to be significant for the therapeutic musical relationship. Concluding that it is indeed significant, the author goes on to consider the implications for the way music therapists consider their work." @default.
- W2051219182 created "2016-06-24" @default.
- W2051219182 creator A5090011904 @default.
- W2051219182 date "2002-11-01" @default.
- W2051219182 modified "2023-10-16" @default.
- W2051219182 title "The Therapeutic, Musical Relationship: a Two-Sided Affair?" @default.
- W2051219182 doi "https://doi.org/10.15845/voices.v2i3.102" @default.
- W2051219182 hasPublicationYear "2002" @default.
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