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- W2052881753 abstract "he Jerusalem Street synagogue is located in uptown Prague, away from the hustle and bustle of the touristyJewish Town. Still, on Saturday mornings a few stray tourists find their way to the prayer room up the unlit stairs, making sure there is a quorum. This time there is a couple from England and a young Israeli of Libyan origin. They are shown around the darkened sanctuary. The dim light filtering in through the horseshoe-shaped windows reveals some of the plentiful arabesques that cover everything in sight, including the organ at the back. In the exotic shape of the pillars and the arches, the art historian might detect Arabic and Iranian influence. The English couple asks if this was a Sephardic synagogue. The Israeli is reminded, he says, of synagogues back in Libya. Nearly a hundred years ago, in a different world, Rabbi Aladar Deutsch spoke at the dedication ceremony here. In attendance were the viceroy of Bohemia, the mayor, the police chief and other high city officials, the president of the commodities exchange and the secretary of the bourse, as well as numerous industrialists, wholesale traders, lawyers, representatives of the Press, etc.' A female coloratura led the organ and the mixed choir in a wrenching rendition of Hallelujah. One of the rabbis present lit the eternal light. Soon a swarm of white-clad boys and girls strewing anemone blossoms began their march down the aisle. The women smiled at them from above, seated atop the galleries held up by colonnades of wavy arches reminiscent of the fabled mosques and palaces of the East. The blazing colors of the" @default.
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- W2052881753 date "2001-04-01" @default.
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- W2052881753 title "Moorish Style: Orientalism, the Jews, and Synagogue Architecture" @default.
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- W2052881753 doi "https://doi.org/10.2979/jss.2001.7.3.68" @default.
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