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- W2055777787 abstract "People have long accepted the idea that there are certain basic plots, of which many stories are variations of specific realizations. The search for the most basic plot formulae has been carried on by some (e.g. T. Todorov and G. Prince) as a parallel to the linguistic study of grammar. Just as linguistics attempts to specify rules of syntax which will hold for any contents, so those who attempt to define narrative structures as a grammar separate semantics from syntax and concentrate completely on the latter. I find that this approach does not and can not work. The reader's sense of meaning and value is inextricably part of his sense of form. I support this claim both by arguing against Prince and Todorov and also by examining the difference between sentences which seem to be plot summaries and sentences which seem plotless. The difference lies not in syntax but in the presence of evaluation or meaning. Turning towards Kenneth Burke's idea of a “psychology of form”, I explore two kinds of plots: those of knowledge, a testing of truth, and those of desire, a testing of value. Ultimately I suggest that the form of plots derives from the form of the act of reading, with its initial expectations, tentative judgments, and process of discovery." @default.
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- W2055777787 date "1979-06-01" @default.
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- W2055777787 title "Some considerations on the nature of plot" @default.
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- W2055777787 doi "https://doi.org/10.1016/0304-422x(79)90038-x" @default.
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