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- W2056608439 abstract "In a beautifully turned metaphor, William Benjamin has spoken of the early atonal works of Schoenberg and Webern as mysterious houses . . . built. . . without doors.1 Entry must therefore be forcible, effected not with keys, but with tools to aid the dismantling of part of the structure. But even if this is true, it is not, it seems to me, equally valid a point of view from which to look at the atonal music of Alban Berg, which almost always represents an attempt at fusion of tonal and atonal principles of organization, and therefore provides entry by key-in both metaphoric and literal senses-to at least some of its rooms." @default.
- W2056608439 created "2016-06-24" @default.
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- W2056608439 date "1981-04-01" @default.
- W2056608439 modified "2023-09-25" @default.
- W2056608439 title "Tonal Focus in Atonal Music: Berg's op. 5/3" @default.
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- W2056608439 doi "https://doi.org/10.1525/mts.1981.3.1.02a00060" @default.
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