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- W2057223764 abstract "In his article on nudity in theatre dance, philosopher Francis Sparshott observes that because we live in a culture in which, for the most part, we remain clothed when in public, we wonder why the dancers in a particular performance of theatre dance are undressed.1 It can be at least a little shock ing and often distracting. There are, of course, times when people are naked in public, for example, when seeing a physician, on a nude beach, when using a public change room, or when engaged in a sexual encounter. For the most part, however, we wear clothes in most social contexts. Even if we allow that performances are extraordinary public situations dissimilar from everyday social interactions, because nudity is not the usual condition even for theater dance, we may well wonder why a choreographer has chosen to have the dancers undressed. In other words, the question is fair enough. Certainly, creating some sense of shock or surprise in the audience is often what artists are seeking. Furthermore, they may also be playing on their own, the audience's, or their dancers' exhibitionism. These are all pos sible aspects of the experience of seeing theater dancers naked on stage. Ex hibitionism is itself an interesting aesthetic value, about which much could be said. Exhibitionism is also, at times, tedious, such as when it comes as a" @default.
- W2057223764 created "2016-06-24" @default.
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- W2057223764 date "2009-01-01" @default.
- W2057223764 modified "2023-10-18" @default.
- W2057223764 title "Finding a Pedagogical Framework for Dialogue about Nudity and Dance Art" @default.
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- W2057223764 doi "https://doi.org/10.1353/jae.0.0059" @default.
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