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- W2057679911 abstract "Late in life, Jean-Jacques Rousseau returned to the topic of music the ory one last time. At that time, ca. 1774, the embittered musical debates with Jean-Philippe Rameau of the midcentury, which had ended inconclu sively in a standoff, had all but faded into history?indeed, the best part of a decade had passed since his opponent's death in 1764, and since his own Dictionnaire de musique (1768) had become the authoritative source on the musical knowledge in the French enlightenment. In an extraordinary essay, with the long and ironic title Extrait d'une r?ponse du petit-faiseur ? son pr?te-nom sur un morceau de l'Orph?e de Gluck (where the desig nations petit-faiseur and pr?te-nom are untranslatable puns that can mean underlaborer or prankster, and front worker or straw man, respec tively), Rousseau tried to work out a musical passage in Gluck's Orfeo ed Euridice that did not cease to fascinate him.1 In an analytical reading, in which he invites his imagined reader to reexperience the effects of this" @default.
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- W2057679911 date "2005-01-01" @default.
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- W2057679911 title "ROUSSEAU, RAMEAU, AND ENHARMONIC FURIES IN THE FRENCH ENLIGHTENMENT" @default.
- W2057679911 doi "https://doi.org/10.1215/00222909-2007-004" @default.
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