FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2058055820> ?p ?o ?g. }

• W2058055820 endingPage "198" @default.
• W2058055820 startingPage "189" @default.
• W2058055820 abstract "ANOTHER VIEW OF HESTER AND THE ANTINOMIANS Sarah I. Davis * Nathaniel Hawthorne's biographical sketch of Anne Hutchinson opens with a commentary on woman as a domestic creature increasingly entering public life, especially in the field of literature. Only after more than six hundred words does this introduction give way to a oneparagraph summary of Anne Hutchinson's English background. In the third paragraph, however, there is a scene of some dramatic intensity, showing Anne Hutchinson addressing a large gathering in her home on a summer evening. Following a summary of intervening events, the next scene shows the trial of Mrs. Hutchinson. Further summary precedes the final paragraph, which describes a third scene, that of the massacre of the Hutchinson family by Indians on Long Island. In form as well as subject matter, the germ of The Scarlet Letter is present in the brief biographical sketch of Anne Hutchinson,1 the central character in each work not only embodying the conflict of domesticity with public life but also participating in three pivotal dramatic scenes alternating with passages of interpretation. The scenes in the sketch resemble the scaffold scenes in The Scarlet Letter the more in that they are public events involving key characters, Puritan authorities, and the generality of townspeople. Further, the cast of characters in the first scene of the sketch anticipates that of the novel; in a room crowded with townspeople, Anne Hutchinson sits behind a table between young Governor Vane and John Cotton: Others of the priesthood stand full in front of the woman, striving to beat her down with brows of wrinkled iron. . . .z With alterations in age and role, the three parallel Hester between Dimmesdale and Chillingworth in the first scaffold scene. In the second dramatic scene of the sketch, set in a public meeting place closed against the sleety rain of November rather than in her own home open to the summer evening, Anne Hutchinson stands before the blessed fathers of the land (p. 223), the center of all eyes, on trial. Again the arrangement of main characters, townspeople, and authority figures suggests the elaborated scenery and symbolism of the scaffold scenes of the novel. The two male principals of the first scene have been accounted for in the summary: Vane, voted out of office as a result of Winthrop's legal maneuver, returned to England; John Cotton saw that light in regard to his errors, which will sometimes break in upon the s'Sarah I. Davis, Professor of English and American Studies at Randolph-Macon Woman's College, has published on Hawthorne in American Transcendental Quarterly and Studies in Short Fiction. She is currently working on a study of Hawthorne's awareness of logical positivism. 190Sarah I. Davis wisest and most pious men, when their opinions are unhappily discordant with those oí the powers that be (p. 222). The third scene describes the fate of Anne Hutchinson. Although the presentation of the massacre is non-dramatic, the scene nevertheless anticipates the weight given in the novel to the fate of each of the three principal characters. Although meeting place and season suggest the opposition of domestic to public life, no unifying symbol binds the scenes of the sketch, for the search for meaning in Anne Hutchinson's experiences in the Puritan colony is no more than minimally rewarded, in the introduction or in the story of the heretic. Anne Hutchinson in the sketch came to the new land bearing trouble in her own bosom (p. 219); her mien at the hearing suggests the carnal pride which, unknown to her, is concealed beneath her sense of a celestial errand (p. 224). Women shudder and weep at her teachings, while young men become fiery and impatient, fit instruments for whatever rash deed may be suggested (p. 221). Seeking to resolve in the colony an unnamed conflict originating beyond the sea, she is the type of the main character of The Hollow of the Three Hills; the outcome for both is death. The biographical sketch Mrs. Hutchinson appeared, in fact, in the Salem Gazette in December, 1830, a month after Hollow was published in the same journal. A reinterpreted Anne Hutchinson appears in Grandfather's Chair..." @default.
• W2058055820 created "2016-06-24" @default.
• W2058055820 creator A5012600640 @default.
• W2058055820 date "1984-01-01" @default.
• W2058055820 modified "2023-10-17" @default.
• W2058055820 title "Another View of Hester and the Antinomians" @default.
• W2058055820 cites W1542901858 @default.
• W2058055820 cites W1973973362 @default.
• W2058055820 cites W2022504392 @default.
• W2058055820 cites W2049493046 @default.
• W2058055820 cites W2050716333 @default.
• W2058055820 cites W2089933733 @default.
• W2058055820 cites W2090304981 @default.
• W2058055820 cites W2319888217 @default.
• W2058055820 cites W2336639951 @default.
• W2058055820 cites W2796542916 @default.
• W2058055820 doi "https://doi.org/10.1353/saf.1984.0033" @default.
• W2058055820 hasPublicationYear "1984" @default.
• W2058055820 type Work @default.
• W2058055820 sameAs 2058055820 @default.
• W2058055820 citedByCount "20" @default.
• W2058055820 crossrefType "journal-article" @default.
• W2058055820 hasAuthorship W2058055820A5012600640 @default.
• W2058055820 hasConcept C11413529 @default.
• W2058055820 hasConcept C124952713 @default.
• W2058055820 hasConcept C138885662 @default.
• W2058055820 hasConcept C142362112 @default.
• W2058055820 hasConcept C144024400 @default.
• W2058055820 hasConcept C153349607 @default.
• W2058055820 hasConcept C161191863 @default.
• W2058055820 hasConcept C17744445 @default.
• W2058055820 hasConcept C19165224 @default.
• W2058055820 hasConcept C199539241 @default.
• W2058055820 hasConcept C2524010 @default.
• W2058055820 hasConcept C2775868214 @default.
• W2058055820 hasConcept C2777206241 @default.
• W2058055820 hasConcept C2777855551 @default.
• W2058055820 hasConcept C2779231336 @default.
• W2058055820 hasConcept C2780430339 @default.
• W2058055820 hasConcept C2780861071 @default.
• W2058055820 hasConcept C33923547 @default.
• W2058055820 hasConcept C41008148 @default.
• W2058055820 hasConcept C41895202 @default.
• W2058055820 hasConcept C52119013 @default.
• W2058055820 hasConcept C527412718 @default.
• W2058055820 hasConcept C95457728 @default.
• W2058055820 hasConceptScore W2058055820C11413529 @default.
• W2058055820 hasConceptScore W2058055820C124952713 @default.
• W2058055820 hasConceptScore W2058055820C138885662 @default.
• W2058055820 hasConceptScore W2058055820C142362112 @default.
• W2058055820 hasConceptScore W2058055820C144024400 @default.
• W2058055820 hasConceptScore W2058055820C153349607 @default.
• W2058055820 hasConceptScore W2058055820C161191863 @default.
• W2058055820 hasConceptScore W2058055820C17744445 @default.
• W2058055820 hasConceptScore W2058055820C19165224 @default.
• W2058055820 hasConceptScore W2058055820C199539241 @default.
• W2058055820 hasConceptScore W2058055820C2524010 @default.
• W2058055820 hasConceptScore W2058055820C2775868214 @default.
• W2058055820 hasConceptScore W2058055820C2777206241 @default.
• W2058055820 hasConceptScore W2058055820C2777855551 @default.
• W2058055820 hasConceptScore W2058055820C2779231336 @default.
• W2058055820 hasConceptScore W2058055820C2780430339 @default.
• W2058055820 hasConceptScore W2058055820C2780861071 @default.
• W2058055820 hasConceptScore W2058055820C33923547 @default.
• W2058055820 hasConceptScore W2058055820C41008148 @default.
• W2058055820 hasConceptScore W2058055820C41895202 @default.
• W2058055820 hasConceptScore W2058055820C52119013 @default.
• W2058055820 hasConceptScore W2058055820C527412718 @default.
• W2058055820 hasConceptScore W2058055820C95457728 @default.
• W2058055820 hasIssue "2" @default.
• W2058055820 hasLocation W20580558201 @default.
• W2058055820 hasOpenAccess W2058055820 @default.
• W2058055820 hasPrimaryLocation W20580558201 @default.
• W2058055820 hasRelatedWork W2051168065 @default.
• W2058055820 hasRelatedWork W2327832731 @default.
• W2058055820 hasRelatedWork W2411504332 @default.
• W2058055820 hasRelatedWork W2466508245 @default.
• W2058055820 hasRelatedWork W2748952813 @default.
• W2058055820 hasRelatedWork W2915779044 @default.
• W2058055820 hasRelatedWork W2995770365 @default.
• W2058055820 hasRelatedWork W4233161807 @default.
• W2058055820 hasRelatedWork W4244091709 @default.
• W2058055820 hasRelatedWork W4302480478 @default.
• W2058055820 hasVolume "12" @default.
• W2058055820 isParatext "false" @default.
• W2058055820 isRetracted "false" @default.
• W2058055820 magId "2058055820" @default.
• W2058055820 workType "article" @default.