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- W2059550009 abstract "William Egginton's wide-ranging study, How the World Became a Stage: Presence, Theatricality, and the Questions of Modernity, is an ambitious work that seeks to define that which makes modern theater specifically modern as well as to reframe the main object of study of modernity, the subject, within a phenomenology of theatricality. Bridging the fields of philosophy, comparative literature, and cultural studies, Egginton seeks to establish, through a series of historical and theoretical comparisons of French and Spanish classical theater, a common ground for both the ontological constitution of modernity and the epistemological drive of the theatrical subject for knowledge of self and world. In Egginton's view, what distinguishes modernity and its subject is an empty and undefined space in which an equally changeable, performative subject alternately masks and obliquely reveals its desire for visibility, or being, in and through practices characterized by their theatricality." @default.
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- W2059550009 date "2003-01-01" @default.
- W2059550009 modified "2023-10-17" @default.
- W2059550009 title "How the World Became a Stage: Presence, Theatricality, and the Question of Modernity (review)" @default.
- W2059550009 doi "https://doi.org/10.1353/mln.2004.0019" @default.
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