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- W2060374308 abstract "This essay discusses the problems of authorship concerning free improvisation. It looks at three areas: collaboration, education, and emerging processes. There has been a recent trend for introducing spontaneous and collaborative elements into contemporary classical music projects. The current essay examines problems concerning how to nurture, present and disseminate new forms within very established formats. Even though free improvisation offers a medium in which to develop complementary crossover skills between composition and performance, this essay will discuss the impossibilities for a composer or performer (working in their respective fields) to claim authorship of a collaborative performance between free improvisation and composition. It identifies the free improvisation performance as an ephemeral, emerging process that does not create a product—that is, it is a process resistant to institutionalised assessment and ownership." @default.
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- W2060374308 date "2010-08-01" @default.
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- W2060374308 title "Authorship and Improvisation: Musical Lost Property" @default.
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- W2060374308 doi "https://doi.org/10.1080/07494467.2010.587314" @default.
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