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- W2061519317 abstract "This essay focuses on two media popular in mid-seventeenth-century France: stage acting and print culture. Both are visual phenomena, theatre because it is seen or looked at (as well as heard and experienced in various other tactile and intellectual fashions) and print because it is looked at in being read (even those being read to in seventeenth-century France would note aspects of format, separations between paragraphs, chapters or sections of a work as well as rubrication, marginalia and various forms of illustration).1 Despite their shared characteristic of being visual phenomena, print and theatre seem to be otherwise quite dissimilar forms. For theatre is most often thought of as a performance art, an ephemeral event that occurs in a specific instance and in which a group of people (actors and audience) are drawn into a shared experience. Print, on the other hand, is often characterized as invariable, identically reproducible over time and across space for individuals reading in private or in small ..." @default.
- W2061519317 created "2016-06-24" @default.
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- W2061519317 date "2001-01-01" @default.
- W2061519317 modified "2023-09-24" @default.
- W2061519317 title "On the threshold of print and performance: how prints mattered to bodies of/at work in Molière's published corpus" @default.
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- W2061519317 doi "https://doi.org/10.1080/02666286.2001.10435700" @default.
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