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- W2061715975 abstract "Oscar Asche is one of a number of Edwardian actor-managers who have been largely ignored by theatre historians in favour of the dominant figure of Herbert Beerbohm-Tree. Asche was one of that generation of directors, which also included Lewis Waller, Sir John Martin-Harvey, and Arthur Bourchier, who regarded the staging of pictorial productions of Shakespeare as a sign of status – a claim to be taken seriously in his profession. He had an adventurous career, representative in many respects of the energy and enterprise that characterized the Edwardian theatre – yet his work also exemplified attitudes and practices that would be discounted by a generation of playgoers enthused by different ways of interpreting Shakespearean drama, a new theatrical aesthetic, and the broader social and educational aims of the non-commercial stage. After his death in 1936, he was remembered more as the author of one of the new century's most successful romantic fantasies – Chu Chin Chow – than as a Shakespearean actor-manager. The author of this reassessment, Russell Jackson, is Deputy Director of the Shakespeare Institute, University of Birmingham. His publications include editions of plays by Wilde and Jones, and Victorian Theatre: a New Mermaid Background Book (1989). He is currently working on a study of Shakespeare in Victorian criticism and performance." @default.
- W2061715975 created "2016-06-24" @default.
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- W2061715975 date "1996-08-01" @default.
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- W2061715975 title "Oscar Asche: an Edwardian in Transition" @default.
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- W2061715975 doi "https://doi.org/10.1017/s0266464x00010216" @default.
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