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- W2062249320 abstract "On 12 January 1917 Ryunosuke Akutagawa (1892-1927) had finished reading August Strindbergs (1849-1912) novel Inferno (1897). In this novel Strindberg purports to render faithfully his infernal experiences of a few years earlier when he supposedly was balancing on the edge of insanity. The epilogue of the book, which was originally written in French, ends with an invitation by the author to his readers: Le lecteur qui croit savoir que ce livre-ci soit un poeme, est invite a voir mon journal tenu jour par jour depuis 1895, et duquel ceci nest quun extrait amplifie, et arrange [The reader who is inclined to consider that this book is a work of imagination is invited to consult the diary I wrote up day by day from 1895, of which the above is merely a version, composed of extracts expanded and rearranged].1 Strindbergs testimonial of authenticity appears to have been accepted by Akutagawa. Having finished reading Inferno, he wrote down the following words on the inside back cover of his copy: Kono hon o yonde kara myo ni Super Stitious ni natte yowatta. Konna myo na sono kuse hen ni shinken na kanmei o uketa hon wa hoka ni nai [After reading this book, I have been troubled by becoming oddly superstitious. There is no other book that has given me such a strange yet sincere and deep impression].2 When Akutagawa embarked on his career as a writer he distinctly deviated from the prevailing autobiographical trend" @default.
- W2062249320 created "2016-06-24" @default.
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- W2062249320 date "2009-01-01" @default.
- W2062249320 modified "2023-09-26" @default.
- W2062249320 title "Writing Madness: Deranged Impressions in Akutagawa's Cogwheels and Strindberg's <i>Inferno</i>" @default.
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- W2062249320 doi "https://doi.org/10.1353/cls.0.0101" @default.
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