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- W2064876699 abstract "In 1903, a select group of British architects, artists, and designers convened to discuss the influence of a new stylistic trend on international design. The symposium L'Art Nouveau: What Is It and What Is Thought of It? sparked heated debate over what many of the participants regarded as a passing continental vogue, lacking the meaning and the aesthetic significance to become an enduring style in Britain. As a result, the comments of forty prominent artists were published in The Magazine of Art in the following year. Walter Crane feared that the new style lacked national relevance, observing that [n]o style or form of art is of any use unless the designer or decorator has something of his own to say in it. Others held harsher views. Architect C. F. A. Voysey disdained the characteristics of Art Nouveau as a debauch of sensuous feeling, stating that it was not worthy to be called a style, while sculptor Alfred Gilbert dismissed the whole movement as Absolute nonsense (The Magazine of Art 2 [1904]: 211-12)." @default.
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- W2064876699 date "2002-01-01" @default.
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- W2064876699 title "Art Nouveau, 1890-1914 (review)" @default.
- W2064876699 doi "https://doi.org/10.1353/vic.2002.0024" @default.
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