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- W20660771 abstract "Probably no one would been more happily surprised by the re? cent scholarly interest in The Narrative of Arthur Gordon Pym than Edgar Allan Poe himself, whose novel went practically unnoticed from its publication in 1838 until the middle of the twentieth century. Two essays seem most responsible for initiating the current reexamina tion of this flawed but fascinating tale: W. H. Auden's introduction to the Rinehart edition and Patrick F. Quinn's suggestive 'Toe's Imaginary Journey.1 Formerly regarded as a mere curiosity in the Poe canon, Pym has, in the past two decades, taken its place as one of the central texts in any comprehensive discussion of his fiction. Much of the critical debate concerning the novel has to do with the thematic significance of Pym's Odyssey. Quinn and Edward Davidson both advanced the theory that the meaning of the narrative is linked to the idea of deception and the appearance-reality motif.2 Harry Le? vin has drawn attention to the nightmarish quality of Pym's adventure,3 while Sidney Kaplan has discovered in the black-white dialectic of the story an allegory of racial supremacy.4 Yet such readings of the novel have, in the past ten years, met with disagreement from critics urging a recognition of the book's palpable lack of continuity. Arguing that Pym actually contains two separate stories yoked to? gether by authorial violence, L. Moffitt Cecil has observed that most of the critical problems surrounding the novel have resulted from the re? peated attempts to read the two stories as one.5 A meticulous examina? tion of textual evidence has convinced J. V. Ridgely and Iola S. Haver stick that the tale is a patchwork of five different narratives, possessing only a spurious unity.6 The very notion of a thematic interpretation of Pym has been challenged by Sidney P. Moss,7 whose essay dwells on the" @default.
- W20660771 created "2016-06-24" @default.
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- W20660771 date "2016-01-01" @default.
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- W20660771 title "THE PREFACE AS A KEY TO THE SATIRE IN PYM" @default.
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