Matches in SemOpenAlex for { <https://semopenalex.org/work/W2067164037> ?p ?o ?g. }
Showing items 1 to 80 of
80
with 100 items per page.
- W2067164037 endingPage "86" @default.
- W2067164037 startingPage "71" @default.
- W2067164037 abstract "“The art of our time,” said Susan Sontag, “is noisy with appeals for silence”. Although originally meant as an assessment of the cultural function of modern art, Sontag’s juxtaposition of such antithetical terms as “noise” and “silence” places the work of art at a stylistic and thematic crossroads where the explicit and the implicit, the visible and the invisible, text and subtext or, indeed, what is said, shown, or done (and therefore “noisy”) and what is not, can meet and interact. Each one of these levels constitutes an integral part of the work of art and, as such, it equally affects the construction of its meaning, in perfect accordance with the artist’s intentionality. The additional task of the noisy elements, however, functioning as “appeals for silence,” is to raise the addressee’s awareness of those elements that were silenced, tacitly granting them primacy while foregrounding their position as the thematic core of the work. That is, from Sontag’s angle, it would seem that in modern art, meaning is generated not only by a work of art’s explicit components but also by those very elements the artist deliberately excluded precisely because he or she considers them highly important and meaningful. Choosing to silence whatever social or behavioural issues are silenced by cultural norms, taboos, and conventions, the artist can thus intentionally point to them and underscore their importance. With this strategy, commonly used by nineteenth-century artists such as Courbet, Ibsen, Zola, or Balzac in works informed by the “slice-of-life” principle of representation, a critical and even subversive attitude toward reality develops, while those features of society the artist wishes to criticize, remain explicit, visible, or, in Sontag’s words, “noisy.”" @default.
- W2067164037 created "2016-06-24" @default.
- W2067164037 creator A5044974224 @default.
- W2067164037 date "2005-03-01" @default.
- W2067164037 modified "2023-10-18" @default.
- W2067164037 title "“¡Silencio, he dicho!” Space, Language, and Characterization as Agents of Social Protest in Lorca’s Rural Tragedies" @default.
- W2067164037 cites W1496591785 @default.
- W2067164037 cites W1541886925 @default.
- W2067164037 cites W1555038173 @default.
- W2067164037 cites W1594862901 @default.
- W2067164037 cites W1976804382 @default.
- W2067164037 cites W1988255380 @default.
- W2067164037 cites W2014249288 @default.
- W2067164037 cites W2048066185 @default.
- W2067164037 cites W2063726266 @default.
- W2067164037 cites W2081395100 @default.
- W2067164037 cites W2088605790 @default.
- W2067164037 cites W2117274018 @default.
- W2067164037 cites W2245159804 @default.
- W2067164037 cites W2331370490 @default.
- W2067164037 cites W2333746155 @default.
- W2067164037 cites W2491461049 @default.
- W2067164037 cites W2502775482 @default.
- W2067164037 cites W597806875 @default.
- W2067164037 cites W618473062 @default.
- W2067164037 cites W623113173 @default.
- W2067164037 cites W648642533 @default.
- W2067164037 cites W2048087413 @default.
- W2067164037 doi "https://doi.org/10.3138/md.48.1.71" @default.
- W2067164037 hasPublicationYear "2005" @default.
- W2067164037 type Work @default.
- W2067164037 sameAs 2067164037 @default.
- W2067164037 citedByCount "0" @default.
- W2067164037 crossrefType "journal-article" @default.
- W2067164037 hasAuthorship W2067164037A5044974224 @default.
- W2067164037 hasConcept C107038049 @default.
- W2067164037 hasConcept C111472728 @default.
- W2067164037 hasConcept C124952713 @default.
- W2067164037 hasConcept C138885662 @default.
- W2067164037 hasConcept C142362112 @default.
- W2067164037 hasConcept C144024400 @default.
- W2067164037 hasConcept C2777425269 @default.
- W2067164037 hasConcept C2778572836 @default.
- W2067164037 hasConcept C2779005484 @default.
- W2067164037 hasConcept C2780876879 @default.
- W2067164037 hasConcept C2781115785 @default.
- W2067164037 hasConcept C41895202 @default.
- W2067164037 hasConceptScore W2067164037C107038049 @default.
- W2067164037 hasConceptScore W2067164037C111472728 @default.
- W2067164037 hasConceptScore W2067164037C124952713 @default.
- W2067164037 hasConceptScore W2067164037C138885662 @default.
- W2067164037 hasConceptScore W2067164037C142362112 @default.
- W2067164037 hasConceptScore W2067164037C144024400 @default.
- W2067164037 hasConceptScore W2067164037C2777425269 @default.
- W2067164037 hasConceptScore W2067164037C2778572836 @default.
- W2067164037 hasConceptScore W2067164037C2779005484 @default.
- W2067164037 hasConceptScore W2067164037C2780876879 @default.
- W2067164037 hasConceptScore W2067164037C2781115785 @default.
- W2067164037 hasConceptScore W2067164037C41895202 @default.
- W2067164037 hasIssue "1" @default.
- W2067164037 hasLocation W20671640371 @default.
- W2067164037 hasOpenAccess W2067164037 @default.
- W2067164037 hasPrimaryLocation W20671640371 @default.
- W2067164037 hasRelatedWork W1479752666 @default.
- W2067164037 hasRelatedWork W170836271 @default.
- W2067164037 hasRelatedWork W1997381357 @default.
- W2067164037 hasRelatedWork W2109880723 @default.
- W2067164037 hasRelatedWork W2145629572 @default.
- W2067164037 hasRelatedWork W2622106500 @default.
- W2067164037 hasRelatedWork W2761995616 @default.
- W2067164037 hasRelatedWork W3200738735 @default.
- W2067164037 hasRelatedWork W4298145689 @default.
- W2067164037 hasRelatedWork W901595587 @default.
- W2067164037 hasVolume "48" @default.
- W2067164037 isParatext "false" @default.
- W2067164037 isRetracted "false" @default.
- W2067164037 magId "2067164037" @default.
- W2067164037 workType "article" @default.