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- W2068168434 abstract "James is known as a novelist of renunciation. His characters, male and female, are notoriously passive. But in several of his female characters--Maggie Verver, Milly Theale, and Isabel Archer--renunciation of self goes beyond passivity to passion. In the second volume of The Golden Bowl there is a scene in which Maggie strolls on the terrace at the end of a leisurely summer's day at her father's country house. She is reflecting on her wrongs--her step-mother, Charlotte, is having an affair with her husband, Amerigo. Fantasizing about the rights of resentment, the rages of jealousy, the protests of passion (489), she finds herself thrilling with the idea of the prodigious effect [ . . . ] she had at her command (486) should she spring up under her wrong and mak[e] them all start, stare and turn pale [ . . . ] sound out their doom in a single sentence (487). But when, a little later, Charlotte comes out to her--comes out, to Maggie's view, with a palpably menacing intention--her sense of power evaporates. She goes to meet Charlotte not in a spirit of outraged decency and self-righteous anger but in absolute abjection:" @default.
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- W2068168434 date "2001-01-01" @default.
- W2068168434 modified "2023-10-17" @default.
- W2068168434 title ""A Secret Responsive Ecstasy": James and the Pleasure of the Abject" @default.
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- W2068168434 doi "https://doi.org/10.1353/hjr.2001.0016" @default.
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