FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2068828078> ?p ?o ?g. }

• W2068828078 endingPage "115" @default.
• W2068828078 startingPage "114" @default.
• W2068828078 abstract "L'Esprit Créateur rificing of Mallarmé's texts by subordinating them to the interest of mymologizing his personal presence and/or authorization of a general idea, he models many of the relationships that follow. Thus, Sartre, as Charles D. Minahen's essay points out, at once neglects and subverts the integrity of Mallarmé's writing by using fragments of a largely speculative biography to associate him with a set of bourgeois ideas. Thus, also, though conversely, as Michael Holland's piece shows, Blanchot reads Henri Mondor's more empirically grounded Vie de Mallarmé as evidence that nothing about Mallarmé's texts can come to be known, so diat the unbridgeable gap between his life and his writing becomes exemplary of literary silence and displacement in general. Though Holland does not discuss this, (he crucial role that mis exemplarity played in establishing Blanchot's identity as a critic in the early forties helps to explain his tactical dismissal in Le Livre à venir of Scherer's 1957 publication of some of the poet's notes for Le Livre. Blanchot's dogmatic, mymologizing silencing of Mallarmé's text was at least as effective for the last half of our century as was Valéry's for the first. A similarly oblique eclipse of Mallarmé's text by powerful readers is brought out, though less pointedly, in otiier essays dealing witii critics following in die wake of Blanchot. Yet, as Rei Terada states in her analysis of the evolution of De Man's thinking on Mallarmé, it is die poet who gives die critic the example of a specular and dramatic reading structure, one which, far from being fixed, is susceptible to change and multiplication. Thus, Mallarmé's texts do indeed seem to authorize and reflect equally well the deconstructive mimicking strategy of Derrida's treatment of Mimique, which Geoffrey Bennington describes, and die negating force of Kristeva's theory of the symbolic. In exposing the combination of personal and intellectual reasons that lead Kristeva to model her general theory of reading on an Ur-text of Mallarmé, Patrick ffrench aptly coins the phrase the anxiety of exemplarity, which usefully describes the late 20th-century's tendency to treat Mallarmé's text iconically as opposed to the early century's mythologizing of his persona. While questions of status and influence are still prominent diemes in Burhan Tufail's evaluation of Oulipo's experiments on Ãœe formal density of Mallarmé's sonnets and Kate van Orden's analysis of John Cage's and Pierre Boulez's converse interpretations of his use of chance, these essays bring back to light particular features of Mallarmé's writing as opposed to focusing on their singular exemplarity. Happily, too, in my view, die last word in this book is left to Clive Scott's meticulous analysis of particular features of Mallarmé's and Bonnefoy's prosody, specifically articulating the terms of what is, no doubt, die most significant among the relationships here examined for the evolution of French poetry. Mary Shaw Rutgers University Warren Motte. Small Worlds. Minimalism in Contemporary French Literature. Lincoln, NE: University of Nebraska Press, 1999. Pp. xii + 213. $45.00. Small Worlds is a big pleasure to read. For small and big reasons. First because me topic Warren Motte brings to us, modestly but brilliantly, is a refreshing departure from the mainstream -or shall I say the trickle since American scholarly publishers seem to have reduced the flow to a drop here and a drop there over a decade ago—of works on twentieth-century French literature, let alone the contemporary novel. I remember when American university presses were publishing two or three books a year on Claude Simon, Nadialie Sarraute or Marguerite Duras, the contemporaries at the time. And they did so with a certain pride, since these authors were really being scholarly discovered in America, while in France literary critics were still focusing on the previous generation. Since men, as we all know, we have shifted our publication efforts to Derrida, Foucault or Lyotard Readers (how many of diose, I wonder, are on die market?) and post-colonial, feminist, or cyber-technological readings of those Readers. 114 Fall 2000 Book Reviews In..." @default.
• W2068828078 created "2016-06-24" @default.
• W2068828078 creator A5070832258 @default.
• W2068828078 date "2000-01-01" @default.
• W2068828078 modified "2023-10-17" @default.
• W2068828078 title "<i>Small Worlds. Minimalism in Contemporary French Literature</i> (review)" @default.
• W2068828078 doi "https://doi.org/10.1353/esp.2010.0152" @default.
• W2068828078 hasPublicationYear "2000" @default.
• W2068828078 type Work @default.
• W2068828078 sameAs 2068828078 @default.
• W2068828078 citedByCount "0" @default.
• W2068828078 crossrefType "journal-article" @default.
• W2068828078 hasAuthorship W2068828078A5070832258 @default.
• W2068828078 hasConcept C107038049 @default.
• W2068828078 hasConcept C111472728 @default.
• W2068828078 hasConcept C124952713 @default.
• W2068828078 hasConcept C136815107 @default.
• W2068828078 hasConcept C138885662 @default.
• W2068828078 hasConcept C142362112 @default.
• W2068828078 hasConcept C161191863 @default.
• W2068828078 hasConcept C177897776 @default.
• W2068828078 hasConcept C2524010 @default.
• W2068828078 hasConcept C2777855551 @default.
• W2068828078 hasConcept C2778355321 @default.
• W2068828078 hasConcept C2780861071 @default.
• W2068828078 hasConcept C2781115785 @default.
• W2068828078 hasConcept C33923547 @default.
• W2068828078 hasConcept C41008148 @default.
• W2068828078 hasConcept C520712124 @default.
• W2068828078 hasConcept C52119013 @default.
• W2068828078 hasConceptScore W2068828078C107038049 @default.
• W2068828078 hasConceptScore W2068828078C111472728 @default.
• W2068828078 hasConceptScore W2068828078C124952713 @default.
• W2068828078 hasConceptScore W2068828078C136815107 @default.
• W2068828078 hasConceptScore W2068828078C138885662 @default.
• W2068828078 hasConceptScore W2068828078C142362112 @default.
• W2068828078 hasConceptScore W2068828078C161191863 @default.
• W2068828078 hasConceptScore W2068828078C177897776 @default.
• W2068828078 hasConceptScore W2068828078C2524010 @default.
• W2068828078 hasConceptScore W2068828078C2777855551 @default.
• W2068828078 hasConceptScore W2068828078C2778355321 @default.
• W2068828078 hasConceptScore W2068828078C2780861071 @default.
• W2068828078 hasConceptScore W2068828078C2781115785 @default.
• W2068828078 hasConceptScore W2068828078C33923547 @default.
• W2068828078 hasConceptScore W2068828078C41008148 @default.
• W2068828078 hasConceptScore W2068828078C520712124 @default.
• W2068828078 hasConceptScore W2068828078C52119013 @default.
• W2068828078 hasIssue "3" @default.
• W2068828078 hasLocation W20688280781 @default.
• W2068828078 hasOpenAccess W2068828078 @default.
• W2068828078 hasPrimaryLocation W20688280781 @default.
• W2068828078 hasRelatedWork W1035787921 @default.
• W2068828078 hasRelatedWork W2005802353 @default.
• W2068828078 hasRelatedWork W2041114748 @default.
• W2068828078 hasRelatedWork W2077337863 @default.
• W2068828078 hasRelatedWork W2748952813 @default.
• W2068828078 hasRelatedWork W2948437155 @default.
• W2068828078 hasRelatedWork W316563333 @default.
• W2068828078 hasRelatedWork W4236026324 @default.
• W2068828078 hasRelatedWork W579115727 @default.
• W2068828078 hasRelatedWork W643865753 @default.
• W2068828078 hasVolume "40" @default.
• W2068828078 isParatext "false" @default.
• W2068828078 isRetracted "false" @default.
• W2068828078 magId "2068828078" @default.
• W2068828078 workType "article" @default.