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- W2068992907 abstract "ROR centuries we have lived with the dichotomy of tradition and r the individual talent. Is a poet born, or ishemade? Does poetry depend on nature or art, on 'singenium or studium? If we accepted this dilemma, our response would mark us as either romantic or classical in outlook. But even Horace knew that it was not a question of either one or the other, but of both (see Ars poetica, 408-11). No matter how bright a child may be potentially, he does not actually express new ideas until he has learned the language of his community. If Garcilaso had not learned the new technique of Italian versification, he might well not have been able to assimilate Petrarch and Sannazaro, Horace and Virgil. BoscAn, in his preface A la duquesa de Soma, rejects the narrow limits of octosyllabic rhyme in the Cancionero general and helps us understand the liberation discovered in the new forms: Porque en [estotro verso italiano] vemos, dondequiera que se nos muestra, una disposicion muy capaz para recebir qualquier materia: o grave o sotil o dificultosa o facil, y assimismo para ayuntarse con qualquier estilo de los que hallamos entre los authores antiguos aprovados.''1 Garcilaso, upon submitting to the discipline of the new versification, found the doors open to new models, Italian and Latin, and could then develop a poetic trajectory of his own. The relationship between Garcilaso and his models is a complex one, ranging from direct translation of specific words and ideas to" @default.
- W2068992907 created "2016-06-24" @default.
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- W2068992907 date "1973-01-01" @default.
- W2068992907 modified "2023-09-26" @default.
- W2068992907 title "Albanio as Narcissus in Garcilaso's Second Eclogue" @default.
- W2068992907 doi "https://doi.org/10.2307/471961" @default.
- W2068992907 hasPublicationYear "1973" @default.
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