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- W2069488665 abstract "The issue of the Revue des Deux-Mondes that appeared on September 15, 1850, contained an essay by Eugene Delacroix on “the teaching of drawing,” in which he reviewed a recent book titled, Drawing without a Master. It had been written by Marie-Elizabeth Cave, the attractive wife of the former Director of Fine Arts.1 Although the eminent master was seldom unmindful of the professional value of political tact, there were deeper, more personal commitments that would have drawn him to this particular task. Briefly his mistress and for long after that affair a devoted friend of the great painter, that bright and enterprising lady had a special call upon his loyalties. As a person of longstanding interest in the arts—she had herself gained some reputation as a painter— Mme. Cave had, moreover, discussed her ideas with him as a colleague and close friend who was himself much given to speculation about the nature of the arts. He must certainly have detected therefore echoes of his own precepts and sentiments as he..." @default.
- W2069488665 created "2016-06-24" @default.
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- W2069488665 date "1967-09-01" @default.
- W2069488665 modified "2023-09-26" @default.
- W2069488665 title "A Mistress and a Master: Madame Cavé and Delacroix" @default.
- W2069488665 doi "https://doi.org/10.1080/00043249.1967.10794305" @default.
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