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- W2071497658 abstract "As operatic commodities go, it would have been the ticket of a decade: a Bayreuth Ring cycle directed by Lars von Trier. Not surprisingly, then, von Trier's cancellation of the project has occasioned a good deal of second-guessing, particularly of the journalistic variety. Was he unable or unwilling to work with Wolfgang Wagner, the festival's famous—and famously intransigent—figurehead? Should he have steered clear of Bayreuth altogether, thus heeding the advice of Nike Wagner (Wolfgang's famous—and famously disaffected—niece)?1 Or was von Trier simply in over his head and courageous enough to admit it? Undoubtedly, the production's failure has lent a retrospective cache to the project, particularly among Bayreuth's critics, and given the mixed bag of Wagner stagings to emerge from the house in recent years, it is indeed tempting to blame the festival leadership. But von Trier's explanation of why he withdrew from the project suggests something else, or at least something additional: he seems to have painted himself into a corner with his concept for the staging." @default.
- W2071497658 created "2016-06-24" @default.
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- W2071497658 date "2008-10-08" @default.
- W2071497658 modified "2023-09-27" @default.
- W2071497658 title "Introduction to Lars von Trier's Deed of Conveyance" @default.
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- W2071497658 doi "https://doi.org/10.1093/oq/kbn039" @default.
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